With Bells on My Boots: A Disabled Woman's Relationship with Style and Beauty by Dana Robbins

With Bells on My Boots

With Bells on My Boots
A Disabled Woman’s Relationship with Style and Beauty

By Dana Robbins

I was 23 when I had the stroke. It paralyzed my left side and left me mourning the breezy, beautiful young woman I had been. Even after several years of intensive physical therapy, my left foot pronated and dragged. My left arm sometimes froze with a bend at the elbow. With the left side of my face paralyzed, my smile is still slightly askew.

As a young girl and throughout my early twenties, people commented on how pretty I was with my long dark hair, porcelain skin, large green eyes and petite hourglass figure. In my family, the women were expected to be beautiful. My grandmother, an old school Russian beauty, told us that a man only need be one step above a monkey but a woman must be beautiful. Beauty defined my self-worth. After the stroke, people looked at me with pity and shock. I felt deep shame seeing myself in a mirror.

A few days before the stroke, I was in an Upper East Side boutique looking at a beautiful pair of green slingback shoes. They were costly, so I passed on them. Being only five foot two, I loved the lift and line a good pair of heels could give me. As a young professional, I felt more polished in heels. I remembered the slingbacks as I lay in my hospital bed. Life is short. I shouldn’t have denied myself. When I told my mother the story, she left my bedside and returned with the shoes. I rolled right out of the left shoe. I’d never wear high heels again.

Shoes are a complicated proposition. I need a built-up, wide-footbed shoe with strong support for my left ankle. I also wear orthotics. As a child in the sixties, I was forced to wear heavy shoes that were supposedly good for the development of my feet. I hated the heavy clomp-clomp when I walked. After the stroke, I felt like those dreaded shoes returned to torment me. I spent years in denial, buying heels and fancy shoes I couldn’t wear. Like Cinderella, I believed that finding the magic shoes would make me whole. After developing pain in my left knee from my gait in my fifties. I was forced to become more realistic.

After my stroke, I had to relearn getting dressed, how to ease my paralyzed arm into a sleeve first and putting on my bra over my head. Shirts and jackets slide down my left shoulder. Décolletage, or even a normal open neck, slips off and I look disheveled. Zippers on jackets are impossible with one hand. I can’t tie my shoes or buckle a belt. I need Velcro or buttons, but neither hold well.  I can’t get my left hand into a glove or mitten. During winter, I wear fingerless gloves. They’re easier to put on, but not warm.

Wearing pantyhose is another ordeal. Years ago, working as a lawyer, I wore skirted suits with stockings nearly every day, resulting in piles of ripped pantyhose. Struggling to pull them up, I’d pull too hard, and another pair would bite the dust. Now that I’m in my sixties and retired, nobody would blame me if I only wore sweatpants and sneakers. I’m just not ready to surrender beauty.

Long ago, I promised myself that if people are going to stare at me, I will be wearing the nicest clothing. Fortunately, designers are becoming aware of fashion needs for disabled women, featuring clothing easier to get into. The Cerebral Palsy Foundation even sponsors a design for a disability fashion show. “Shop until you drop” is a reality for me because trying on clothes is tiring and I break into a sweat inside the dressing room. If I don’t have anybody with me, I gravitate to small stores where the staff is helpful.

Grooming is taxing. Since I can’t cut or file my nails, I get regular manicures. If my left hand isn’t carefully positioned palm down, my thumb pulls inward and my hand involuntarily forms a fist, smudging the polish. Often, a manicurist who doesn’t understand grabs my hand off the table and says “relax.” My hand does the opposite, curling like a starfish poked with a stick, frustrating both of us.

I can’t do much to style my hair. Most hairdryers require two hands, one for the dryer, one for the brush. I keep my hair medium short and my excellent hairdresser cuts to my natural wave. All I do is shampoo it. My husband would love for my hair to be longer but I wouldn’t be able to put it up on a hot day.

In our society, disability is shameful and maintaining my appearance is important for my self-esteem. In this, my role model and inspiration is disabled artist, Frida Kahlo. Her iconic style, derived from traditional Mexican garb, was not only an expression of ethnic pride but a way of working around her disability. It wouldn’t be fair to say she “concealed” it. Many of her paintings depict her naked. To disguise the unevenness of her legs caused by childhood polio, Kahlo designed red suede boots with a built-up platform. After a bus accident damaged her spine and pelvis, she underwent multiple surgeries. She then had to wear steel corsets. Her long full skirts covered her withered leg. Loose blouses and ruanas flowed over the corsets. Her elaborate jewelry and coiffure drew attention upward to her striking face.

Many years after her death, Kahlo’s unique style is admired worldwide and is enshrined in the Frida Kahlo House Museum in Mexico City. There, I once stood before an embroidered red suede boot, which she once wore on her right foot. The most captivating details were the two small jingle bells fastened to the laces. Instead of the uneven clomp-clomp, there was the pleasing sound of bells.

Kahlo said, “Viva la Vida. Live Life.” Like Frida Kahlo, whatever my physical limitations, I will dress in beautiful outfits, and metaphorically, will have bells on my boots.


About the Writer:
After a long career as a lawyer, Dana Robbins earned an MFA in creative writing from the Stonecoast program at the University of Southern Maine. She is the author of two published books of poetry, The Left Side of My Life and After the Parade (both published by Moon Pie Press, Maine ). Her poems and essays have appeared in numerous publications.

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Quick Work No. 3

Quick Work No. 3

Quick Work: Short Takes on Epic Truths

Here, in micro-flash nonfiction, writers make quick work of compelling stories. During July 2020, we present short takes on work and working.

Graveyard Shift

by Marlin Brezzi

Bing went to meet his maker before any of us were born, but those who came before us said he’d been laid to rest with a mouthful of silver fillings and more gold chains than a Mafia don. It would be so easy, we speculated, standing in the shed where we kept the excavators, mowers and shovels. Just unscrew the bronze plaque covering the mausoleum door, roll him out and open the casket. Ed swore that he’d do it one day.

That was 22 years ago. I wonder if Bing has held on to his treasure.

Safe Space

by Jennifer Laurenza

The coffee-colored couch in my office can barely accommodate one average-sized human curled in a fetal position, but this is where I find myself after a taxing session. A psychotherapist and reluctant empath, I can neither un-know nor un-feel the intimate details of suffering, trauma, and loss that have infused my work for two decades. I absorb the darkness. It permeates my dreams, dampens my passion, and induces morning dread. Oh, there are the sessions that make me feel warm inside, like I’ve sipped a cup of hot tea. But today, the couch beckons, and I surrender to its comfort.


Mom, Dancing

by Karen Taub

One of my best days at work as full-time grilled-cheese-sandwich maker, homework tutor, boo-boo kisser, TV warden, and part-time Scheherazade in purple, red and gold sparkles, was when the little girl sitting cross-legged in the front row at the Girl Scout Jamboree stared googly-eyed at me on stage, dancing and playing finger cymbals, and announced “She’s beau-ti-ful.” She wasn’t seeing the wrinkles and the worries, the mini-van driving, mortgage-paying mortal, but the reflected possibilities of her future, a woman feeling good in her skin while kids, Dad and the dinner dishes wait at home.

Too Many Clinks

by Michael Ball

Until I stood for hours, suddenly skilled in snapping and twisting lids on gallon jugs. I never considered the malice of mayo jars. It was a college gig for me, working at John E. Cain’s atavistic factory, hidden off drab backstreets over by MIT. Only men worked the line, packing condiments, including of course, the mayonnaise named on the giant neon towering over the Charles River. And all the men were deaf. The old-timers went deaf from filling and sealing glass jars pushed along on jiggling tables, all careening toward filling machines. Clink. OK. Ten clinks. OK. Thousands. Eh, what?


A Quick Start Guide to Deferred Compensation

by Kate Gonzalez Long

A Quick Start Guide To Deferred Compensation by Kate Gonzalez Long

About the Writers

Marlin Bressi is the author of four nonfiction books, including Hairy Men in Caves: True Stories of America’s Most Colorful Hermits and Pennsylvania Oddities. His fiction has appeared in Suspense Magazine, Capsule Stories, 365 Tomorrows and other publications.

Jennifer Laurenza is a practicing psychotherapist who writes for self-preservation and creative expression. She specializes in LGBTQ mental health, and is an advocate for the LGBTQ community and other marginalized populations.

Karen Traub is currently writing a memoir about her local library. A student in the Newport MFA program, Karen has been published in Brevity, Straw Dog Writers Guild Pandemic Poetry and Prose Voices of the Valley.

Michael Ball scrambled from newspapers through business and technical publications and into creative writing. One of the Hyde Park Poets, he has published in Griffel, Gateway Review, Havik Anthology, SPLASH!, Peregrine Journal, and In Parentheses.

Kate Gonzalez Long is an elderly Abolitionist Feminist living and writing in Los Angeles.


The Quick Work series is curated by Multiplicity Contributing Editor, Kate Whouley.

Submissions to Quick Work (100 words or fewer) will close on July 15. We also welcome stories up to 5,000 words for our work-themed Fall issue of Multiplicity Magazine. More details here.

Multitude of Array by Shiela Scott

Multitudes of Array

By Shiela Scott

From the Photographer:

Multitudes of Array was taken in front of the Mississippi Museum of Art in downtown Jackson, Mississippi. It shows part of a steel trellis incorporated into an artistic landscape piece that invited me into the garden of beautiful flowers near the museum’s entrance. I wanted to accept and capture the garden’s invitation in a photograph.

I am inspired by many photographic styles; no one photographer keeps me in awe. My love of photographing in natural light made me gravitate to this piece. Amazed and captivated by so many directions of shine, I wanted to capture what my soul felt when I observed these folds and curves of metal. I hope this piece will glow and light the imagination and pleasure of all its viewers


Multitude of Array by Shiela Scott

Multitudes of Array


About the Photographer:
Shiela Scott
is a photographer, creative writer and business entrepreneur. She earned her BFA in Creative Writing for Entertainment from Full Sail University and her A.A.S in Digital Photography from Antonelli College. Her poetry  has appeared in Ponder Savant and multiple other venues. Follow her on Twitter @ShielaDenise.

Quick Work No. 2

Quick Work No. 2

Quick Work: Short Takes on Epic Truths

Here, in micro-flash nonfiction, writers make quick work of compelling stories. During July 2020, we present short takes on work and working.

Escape

by L’Tanya Durante

I stripped down to the swimsuit I wore underneath my protective gear, imagining my body under attack by asbestos fibers—and by the stares of the all-male abatement crew.

I’ve told myself I quit that job after only six months because I was afraid of a future that looked like the man who spoke to us at the training, with his raspy voice and oxygen tank. It’s more palatable than admitting that a body potentially ravaged by asbestos worried me less than a body invaded by self-doubt and hatred, a body that might be unpleasing to men.

Daddy Was a Baker

by Karol Jackowski

Daddy was a baker because his Daddy was a baker, leaving him the Normal Bakery in East Chicago, Indiana. We lived above the bakery with donuts for breakfast, cupcakes for the whole class on my birthday. At age three, I was putting chocolate sprinkles on butter cookies. Truth is Daddy felt born to be a dentist, and the Normal Bakery drove him to drink.  Mom closed the bakery when Daddy went into the hospital, and we all swore off family businesses forever. Now, only the sweetest memories remain of being a baker’s daughter, and I still eat donuts for breakfast.


New Guy by John Sheirer

New Guy

by John Sheirer

When I started working at an ivy-covered New England college, I discovered how cold those ancient buildings are. One day, as I warmed my hands on the humming photocopier, the fire alarm blared. Assuming it was a drill, I strode to my little office and opened the door to find billowing smoke and my cheap, plastic space-heater melting into the shape of a defeated alien invader in a low-budget sci-fi movie. In the coming weeks, I discovered how long the stench of burned plastic lingers, how cozy an office sweater is, and how quickly good colleagues forgive the new guy.

Shell

by Anita Kestin

It fell to me to inform the 18-year-old-girlfriend of one of our patients that he had tested positive for HIV. He wanted her to know, but he did not want to tell her. When I broke the news, she reached into her handbag. Out came a bottle of nail polish. She carefully began to paint her nails with a shell-pink shade.

“Do you have any questions?”

She was quiet for a moment, then blew on her nails.

“No,” she said, picking up the polish and leaving the room.


Request from the Bandstand
[a Fibonacci poem]

by Jean Fineberg

It’s
my
calling
to play tunes
fondly remembered
from your wild and free salad days
bring on the requests, but please don’t ask for one more tune.
Sure, I’m digging playing rock star
but I gotta go
and take my
fifty
bucks
home.


About the Writers

L’Tanya Durante lives and writes in Durham, North Carolina. She loves reading and writing flash nonfiction and several of her “Tiny Truths” have been published in Creative Nonfiction Magazine. She is on Twitter @writeordiegirl.

Karol Jackowski is a member of the Sisters for Christian Community. Her books include Ten Fun Things to Do Before You Die, Forever and Ever, Amen, and Sister Karol’s Book of Spells, Blessings, and Folk Magic.

John Sheirer lives in Northampton, Massachusetts, and teaches at Asnuntuck Community College in Enfield, Connecticut. His most recent book is Fever Cabin, a fictionalized journal of a man isolating himself during the current pandemic. JohnSheirer.com.

Anita Kestin, MD, MPH, has worked in academic settings, nursing homes, hospices, and the locked ward of a psychiatric facility. She is a daughter (of immigrants fleeing the Holocaust), wife, mother, grandmother, and a progressive activist.

Jean Fineberg is an award-winning saxophonist who has studied poetry with Kim Addonizio. Her work has been published in Soliloquies, Vita Brevis, Uppagus, Literary Yard, Flagler Review, Riza Press, High Shelf Press, Shot Glass Journal and Fibonacci Review.


The Quick Work series is curated by Multiplicity Contributing Editor, Kate Whouley.

Submissions to Quick Work (100 words or fewer) will close on July 15. We also welcome stories up to 5,000 words for our work-themed Fall issue of Multiplicity Magazine. More details here.

Wasp Questions by Benjamin Thomsett

Wasp Questions

By Benjamin Thomsett

The decapitated wasp head still bit and chewed at anything in front of its face. Meanwhile, a little further away on the windowsill, the body arched and the tiny black-needle stinger jabbed and jabbed. I watched the two separate parts do this for 20 minutes, sometimes prodding and leaning in close for a better look. Was the wasp alive or were the spasms of post-death the angry feelings of a yellow and black soul? Was there a difference?

As an eight-year-old I couldn’t work it out. I still can’t, come to think of it. I guess I could look it up now, but I don’t think it’ll change the perspective I have of cruelty and death, or the historical religious ideology that grew with that warped little boy. Memories can’t remake themselves, and I don’t care what a Nobel prize-winner tells me after being locked in a laboratory for 10 years. Lab chemicals and a lack of natural light can do strange things to a mind. So can academic isolation.

As an eight-year-old I tested things for myself: “O Lord, receive this wasp…. Shit, is it dead yet? Send me a sign.” Nothing.

A poll on the UK news yesterday showed that a little less than three quarters of the Christians polled believed in the resurrection of Jesus following his crucifixion. Just over half of them said they believed in Heaven/Hell/some form of afterlife.  Is that important? I don’t know. And I doubt you do either.

There’s only one way of finding out and we’ll all get our answer to that particular sticky question in the end—heart attack, eaten by a bear, it doesn’t matter how you get there, just be assured you will eventually see the truth, even if it’s just the light fading and the voices getting distant. One thing is certain: you’ll never be able to share the answer with the rest of us back here scrabbling in the human filth of war, enforced poverty, and a vicious pandemic. It’s hard to hear spiritual whispers from beyond the grave when you’re choking.

Just as well. Questions are okay, but only if you are ready for the answers.

There must have been 10 wasps on the windowsill that summer. They all died terribly, jabbing and twisting, little legs circling. Some of them took a long time to stop moving, the stinger last of all. Victims of me and a cheap copy of a Swiss Army penknife. No anger or revenge. Just cold concentration.

It felt good to be in charge for once.


About the Writer:
Benjamin Thomsett
is a parent, partner, and hot noodle hater. He lives in North Lincolnshire, UK, where the air is clear and the birds sing loudly. In his spare time, he worries about most things.

What It Takes to Survive by Christine Richardson

What It Takes to Survive

By Christine Richardson

I stepped through the frigid northern Minnesota darkness toward my sleeping dog team, careful not to rouse the eight dogs tucked under warm piles of frost-coated arctic sleeping bags in front of the dogsled they had pulled 80 miles. We were at a rest stop in a 120-mile race on the north shore of Lake Superior. 

Bending over the alcohol stove, I heard shuffling. It was Dory, my seven-year-old lead dog. She stood up. Her sleeping bag slipped off.

“We’re not leaving for an hour,” I whispered.

She blinked and stood quietly, observing me.

“Please lay down,” I implored.

Dory had calm focus in her light brown eyes. If I was up, she was determined to be up too.

Switching off my headlamp, I knelt in the darkness and draped my arms around her neck. It was -20F—killing temperature—but Dory was warm under her arctic coat.

The moon was full and the wolves on the trail had stayed away from the racing dog teams. Neither the cold nor the wolves would be problematic as long as the lead dog kept a steady pace. Looking at Dory I knew all would be well. She loved racing. A few years ago, on a cold, starless night in northern Maine, she led our team and out-ran a lone wolf after the meat snacks in the dogsled. She was always all in, despite the danger.

“We’ve got this, wolves be damned,” I whispered to Dory, knowing I couldn’t do it without her.

Truthfully, I would never have had the confidence to participate in that race, less than a year after my battle with breast cancer had left me weak and bald, if Dory hadn’t been leading. From the minute the veterinarian delivered her by C-section and placed her soft newborn body into my arms, I knew we were important to each other.

At age two, she graduated from being a playful puppy, running in the back of the dog team where I could see her shenanigans, to a full-fledged lead dog.

“Wanna lead for a while?” I asked Dory only 30 miles into her first 250-mile race, when my old pro, Glock, lost interest in going forward.

Bouncing in her harness, Dory dragged me to the front of the team, where I clipped her into the top spot. She had been waiting for this. Dory led the remaining 220 miles to the finish line. From then on, she led every race we ran together until she retired a few months ago.

Upon returning home to New Hampshire from our last race this year, in early March, everything became eerily quiet. The whole world was still, hoping that the prolonged silence of lockdown was the only thing COVID would force us to endure.

By mid-April, I was jobless. My partner, Kip, would soon be too. My sister-in-law in New York City was just out of the hospital after major heart surgery, and my step-father was determined to continue working at a local senior home in spite of his and my mother’s ongoing health problems. I couldn’t visit anyone.

As my options disappeared, my fear heightened. This was an uncharted trail and I wasn’t sure where the wolves were hiding.

Keeping busy held my panic at bay. I found solace in making maple syrup from the trees on my land. The physical work of hauling sap was rewarded by long hours of staring into the fire under the boiling sap pans while contemplating life. I remembered that cold night in Minnesota vividly. Dory had led the dogsled team into the moonlight, over 55 miles through The Caribou Hills to the finish line with ease and confidence. The struggle to get there felt like a dream. I had been overwhelmed by cancer for so long, but that day, Dory had made anything seem possible again.

Suddenly, I was jarred from my thoughts.  Kip was shouting from the deck.

“Christine, come now!”

It was his there is a dog emergency voice. I ran.

Dory was bloating. Without immediate treatment, the air gathering in her stomach would kill her. I rushed her to the emergency vet where a masked and gloved tech took her from me and told me to stay in my truck. Sitting in the parking lot, looking through the vet’s huge glass window, I hoped to get a glimpse through an open door of busy technicians working furiously on Dory.

Fifteen anxious minutes later, the veterinarian called.  Dory needed surgery—now. I choked when I heard the estimated cost was between $7500 and $9000 and wailed that I did not have that much, even on my credit card.

“Let me call you back,” I begged.

“Ok, but hurry,” she replied. “In the meantime, we’ll put together a quote.”

Sobbing, I called Kip. “What do I do? It’s Dory!”

“I know.” He tried to calm me, but he was as shaken as I was.

“If we have to put her to sleep, I can’t even be with her!” I was hyperventilating, barely able to speak.  

Then my phone beeped, it was the vet again.

“If there are no complications, it will only cost $5000,” she said.

“DO IT!” I yelled.  I had no job but precisely $5000 in credit. I gave her my card number and then called Kip to tell him the “good news.”

I was tremendously relieved when Dory pulled through. The next day, I was allowed to bring her home. She healed well with only an eight-inch scar on her belly, a reminder of how close I came to losing her. My finances are even more limited now, but I have no regrets. Money doesn’t live, breathe, or outrun wolves.  Letting Dory go would have been unbearable.

Sometimes, when Dory is sprawled on the couch with her legs in the air, I run my finger gently along her scar. Before long, tears escape my eyes. Sensing my mood, Dory rolls over, licks my hand. I can’t predict the future, but I’m grateful that Dory and I will both be here to greet it.


About the Writer:
Christine Richardson
lives on a farm in Canaan, New Hampshire with her partner Kip and 16 sled dogs. She has an MS in Cell Biology, but left her 18-year career in science to pursue an MFA in Creative Nonfiction at Bay Path University and to work on her memoir and practice shamanism. She describes herself as an outdoor adventurer, retired scientist, dog musher, cancer survivor, wisdom keeper and writer. . .but most of all, a dog lover.

Quick Work No. 1

Quick Work No. 1

Quick Work: Short Takes on Epic Truths

Here, in micro-flash nonfiction, writers make quick work of compelling stories. During July 2020, we present short takes on work and working.

Summer 1980s
Roach Trap Line

by María Luisa Arroyo

I twisted orange earplugs in to muffle the cacophony of conveyor belts. One roaring belt pushed shampoo bottles down the line as nimble women’s hands like my mother’s picked them up, four at a time, to pack. Newbies like me started on the roach trap line, alcohol fumes pinching our noses. We dipped long-stemmed Q-tips (like the ones they’re now using up people’s noses to test for COVID-19) into alcohol. Then we pushed the peeping yellow poison back into black roach traps. Full-timers moved on to pack vitamins. Summertime workers like me, though, stayed here on tall stools, eyes burning.

Quickening
 

by Chelsea L. Smith

I push the body pillow aside and press my belly into my husband’s back while he sleeps. Already, he’s aware of the baby. He leans into me ever so slightly, a subconscious turn of affection, and moans.

 “Can you feel Loren moving?” I whisper into the rough hairline at the nape of his neck.

“No,” he mumbles, half-asleep, “but I like the idea that he’s there.”


Roberto

by Pamela Lear

The 14 boys prepared to leave after a creative writing lesson on Mark Twain. As the guard arrived to escort them to math class, they each stood in “safety position” with arms crossed as if shielding their chests, hands clasping the shoulders of matching prison-issue T-shirts. The young men shuffled through the open security door, looking down at the floor. A boy named Roberto, 15-years-old and a foot taller than me, surreptitiously glanced up and whispered, “Hey teacher, want to put me in your purse and take me home?” He winked at me, and then they were gone.

On Keyboard

by Clifton J. Noble

Practicing the piano as a five-year-old, I had no inkling that I was preparing for my life’s work.  I was doing something I loved—reading and speaking a language shared by musicians for centuries, opening doors to other worlds as surely as a reader of books travels via the printed word.  Five decades later, I perform and record using the same 88 keys, thankful and amazed that my employers’ checks are being deposited in my bank account. Doing what I love and getting paid for it? That ain’t workin’.


Wrong Team

by Maria Smith

He kept his graying hair slicked back, dressed in three-piece suits with expensive silk ties. He wore shiny, black leather shoes and overpowering cologne, which always arrived before he did. He was the boss at the satellite office of a national insurance company. An executive assistant in my early twenties, I was one of four women who reported to him. Sometimes during late afternoons, he would call us into his office, joking around, coaxing us to sit on his lap. While the others fawned over him, I refused. “You aren’t a team player,” he said, when he fired me.


About the Writers

Born in Manatí, Puerto Rico and raised in Springfield, MA, poet María Luisa Arroyo pays tribute to thirty-two women poets in her latest original collection, Destierro Means More than Exile.  She is an Assistant Professor at Bay Path University.

A recent graduate of the Stonecoast MFA program, Chelsea Smith is working on a series of essays that celebrate the joys and difficulties of growing, delivering,  and protecting life during a time of isolation and physical distancing.

Pamela Lear lives with her husband in Miami, where she is thrilled to have grandchildren nearby. A first-year student in the MFA in Creative Nonfiction at Bay Path University, she is following the Narrative Medicine track.

Clifton J. Noble is a composer, arranger, performing musician, and music critic who works in musical genres ranging from art music to rock n’ roll. He serves as the Staff Accompanist for the Smith College Music Department.

Maria Smith is a writer and multi-media artist living in Bluffton, South Carolina. She holds an MFA in Creative Nonfiction and a PsyD in Conflict Resolution & Mediation.  She served for 16 years as an officer in the Air Force Reserve.


The Quick Work series is curated by Multiplicity Contributing Editor, Kate Whouley.

Submissions to Quick Work (100 words or fewer) will close on July 15. We also welcome stories up to 5,000 words for our work-themed Fall issue of Multiplicity Magazine. More details here.

The Right Hand of the Father by Reverie Koniecki

The Right Hand of the Father

By Reverie Koniecki

When I was still young enough to believe I could become president someday, but old enough to watch my little brother occasionally, my family went to two different Baptist churches. On weekends when my mother didn’t have to work, we went to a church where the congregation looked like us. The preacher went in and out of song when he felt moved, and the choir responded to his lead the same way a baby mirrors its mother. Women in white dresses and gloves monitored the congregation for those who lost control of their bodies to the spirit. The spirit scared me. I didn’t want some other entity coming into my body. The women in white pulled seizing bodies into the aisle and made sure the invaded didn’t accidentally knock their heads into the pews or kick their skirts up for everyone to see their unmentionables. Church ended when the preacher finished preaching. If the spirit moved him, we’d let out at 2:30.

On the weekends when my mother did have to work, we went to another church where we sang quietly from hymnals to music played at a respectable volume. Most kids left their parents to go to the nursery. The ones who stayed said soft “Amens” that curved around their tongues at the right pauses in the monotone sermon. No one yelled. There were no ladies in white. The pastor stayed on schedule and the service ended promptly at noon.

When we couldn’t go to church, we prayed to Reverend David Paul on The Miracle Hour TV show.  We praised God when he stepped onto the stage. David Paul put his hands on heads. He took donations. You could call an 800 number or mail him a check. He went on tour and spread his miracles from city to city. Heads bowed for him when he asked people to believe. When he said to have faith, we had faith. I believed in the power of David Paul the way I believe that I sit at the right hand of my Father.

When my mother became a Mormon, she sicced the missionaries on me. I argued with them about the three tiers of heaven they tried to convince me existed. I can’t remember the requirements for the top two tiers, but I figured I could probably make it to the lowest one. I just wouldn’t be able to travel up to visit my better-behaved loved ones. I was suspicious about that sort of segregation. It seemed unjust to me, especially compared to more the cut-and-dried concepts of heaven and hell. How do you divide degrees of goodness? I thought if I could just be good, then good things would come my way.

We learned about confessing sin in Sunday School, yet my sins still have kinetic potential. And I can’t confess the sins of my father, whose parting silhouette is my childhood tragedy.

Growing up, my mother constantly reminded me she was the parent who stayed. I resented her because other kids with divorced parents got to choose one, but I was stuck with her. I gave her Father’s Day cards and told her she was a better father than the one I couldn’t remember. When my friends complained about getting grounded, I said, “At least you have a father.” I imagined running into him on the street. I searched the faces of strangers for my likeness.

People consoled me with accusations. “Your father’s a jerk.” “Your father’s an asshole.” “Your father up and left you.” I didn’t understand they were taking my side. All I knew was that this man, this myth, was part of me. When someone asked about my father, I’d say I didn’t have one. As I got older, I repeated phrases I had heard about him and knew too well. I grew to hate him. I denied him. I loved him.

David Paul came to Hartford. We went to see him because we were hungry for a miracle. He yelled on the pulpit. My skin grew into rugged terrain as each hair follicle stood to attention. He cured other people. People rose from wheelchairs. The blind could see. The sick became healthy. I tried to get David Paul’s attention. He never looked in my direction. I prayed because I believed. I believed because I prayed. David Paul didn’t put hands on me. He didn’t acknowledge my prayers.

After he left, my father and I didn’t speak again until I was 10. Then again at 24. And again at 32. Our conversations took the same arc each time we tried to have a relationship. First, we corralled the lost years between us and rediscovered that our memories were incompatible. He would go on and on about the past. About how he swindled my mother out of child support. About how he regretted his relationship with the woman he left my mother for, his sons’ mother. About the stupid canopy bed he bought me when I was four. Eventually we hit a wall where one of us offended the other and I dipped out.

He carries my fifth-grade picture in his wallet, the photograph preserved in yellowed plastic with specs of dirt lining the corners. To my father, the girl in his wallet is who I am.

I’m riding my red tricycle in front of our apartment when he drives up. My mother, watching from the front stoop, rises as he gets out of the car. I climb her tree trunk legs into the branches of her arms. My chest is about to snap like a rubber band, but I remain silent. I have already learned to be quiet. My father screams, “I thought you said she wanted to see me!” My mother screams back. There are no hymnals. No quiet prayers. No hushed “Amens.” We speak in tongues. The spirit takes over us. I protect their heads as they writhe. I pull down the skirt my mother has kicked up to her thighs. I massage my father’s temples as he gnashes his teeth. They scream until their noise turns brown and becomes everything—and nothing at all.


About the Writer:
Reverie Koniecki
is an African American poet and educator living in Dallas, Texas. She is the co-founder of Meet Me With Curiosity, a poetry salon in Klyde Warren Park. She is the former Educational Arm Assistant for Asymptote and current poetry editor for the Henniker Review. Her poems and prose have appeared in Entropy, Thimble Magazine, Spiderweb Salon, White Rock Zine Machine, and Off the Margins. Reverie is currently working towards her MFA in Poetry at New England College.

Fresh Off the Boat by Linda Wisniewski

Fresh Off the Boat

By Linda Wisniewski

Imagine your feet in damp socks inside your sneakers. You jump over puddles on a busy Italian street. Rain drips off your glasses as you try to read the map your cruise line provided, searching for Mercato Centrale di Livorno—the Livorno Central Market. You’re nervous, but you think of your grandparents arriving in the U.S. 100 years ago. If they could navigate the streets of a foreign country, so can you. Your husband insists he knows the way, but you are skeptical. You just want to get inside, get warm, dry your feet.

It’s the first morning of your 30th-anniversary Mediterranean cruise, and you have arrived at your first stop. You duck into an information center, where a nice woman behind the counter shows you the way to the market.

“Go outside,” she says. “Turn left and there it will be.”

But the streets spread out like crooked wheel spokes. Which left? Your husband says he knows. You follow him and spy a brightly lit shop with an artful display of knit hats. You try on a soft purple one. Only six euros. In the mirror, you look stylish.

You walk on, your head dry and warm, but still no mercato. A pastry shop beckons. Don’t they always? You pull open the glass door and step inside. The man behind the counter shrugs when you ask directions. Frustration grips your forehead.

Imagine a male voice behind you. “Where do you want to go?” he asks. You show him on your map. “Why do you want to go there? It’s nothing to see.” He is dark-haired and handsome. A short pretty brunette at his side smiles at you.

You remember the next item on your list. Perhaps the Modigliani Museum?

“Ah, it is beautiful,” he says, then waves at the rain outside. “Mamma mia!”  He starts to give directions but the brunette interrupts. Clueless, you watch their hands wave left, right, up in the air, until laughing, they turn back to you.

“Come, I will take you there,” he says. “My car is just outside.” You and your husband exchange a glance, imagining the headline: “American Tourists Kidnapped in Italy.”

The man sees your silent exchange. “You can trust me,” he says. “I’m a lawyer.” Everybody laughs and you follow the couple outside to his car, which is indeed parked at the curb. He points at a child-safety seat in the back. “Per i bambini!”

His wife motions you into the back seat with her while your husband climbs in front. “It’s not far,” the Italian man says, putting the tiny car in gear. “Livorno is a very important port in the history of Italy….” His wife rolls her eyes and giggles. She points at your chest.

 “Il nave?”

Sorry, you say, you don’t understand. 

“Boat?” she asks, pointing toward the harbor.

“Si, si!” You both say “Il nave!” You laugh together.

Imagine you are off the boat in more ways than one. Your grandparents left Europe a century ago from a harbor farther north, bound for a better life in New York.     

Yesterday, you flew from New York to Rome in a third of a day, then stepped aboard a luxury liner for a vacation on a ship. Your grandparents’ ocean journey took weeks; they were probably seasick and traveled in steerage. There were no waiters, no violins at dinner. Nobody gave them a map.

But they gave you this: a life in which you sail into a European harbor. Like them, when you arrive at your destination, you seek help from people who barely understand you.

The young lawyer is right. The ride to the museum is short. He drops you off at the entrance and wishes you a nice day. “Grazie,”you say, and you part from the man and his wife using the universal language of nods and smiles.

Inside the museum, you view the work of an artist born in Livorno who lived only 35 years. “Modigliani knew how to soak up influences from everyone,” the curator wrote. “As a sea-faring man, someone who lived in a city with a harbour, …he understood that you can’t live there without encountering people coming into the port from elsewhere….”

That night, you hang your socks to dry in your cruise ship cabin’s tiny bathroom. You imagine the smiling young couple you met today at their home, telling their bambini about the Americans they met in the bakery.


About the Writer:
Linda C. Wisniewski
lives in Bucks County, PA where she volunteers at the historic home of author Pearl S. Buck. Her memoir, Off Kilter, was published in 2008 by Pearlsong Press. Linda’ debut novel, Where the Stork Flies, is forthcoming from Sand Hill Review Press. She blogs about life and connections at www.lindawis.com.

Two Peas in a Pod by Alexandra Ronn

Two Peas in a Pod

By Alexandra Ronn

You save me
When I am a new kid in school
Shy, awkward, four-eyes, tinsel-teeth
Blushing all shades of pink and red
Eighth grade lab partner, note-passer, new best friend
You say we’re two peas in a pod
I smile
You lead, I follow

High school together, we laugh and laugh
No books for you
So I dumb down to stay
In your shadow
14 years old, 15, 16, 17
Drinking age 18, easy to get
You lead, I follow

First time off the path: senior year
Higher level English, my favorite class
All A’s
You frown and ask why

Commuting to junior college
You lead, I follow
We’re going to be travel agents, you say
Two peas in a pod

After one semester I switch my major
To English
Why? you ask, frowning

Still, the drinking, the bars
You lead, I follow
You drink so much
I can’t keep up

I date a guy because you’re going out with his friend
We marry them
He’s always liked you more than me

I have three kids, you have none
My second child is your godson
I no longer drink
I’m a mom

We go out to lunch, shopping, dinner with our husbands
You love your godson
You’re at every family event
Bearing gifts
Even when I’ve asked you not to

At long last I go back to college
You frown and ask why
My kids are nearly grown
I love being in school

You cheer loudly when my name is called
And I receive my diploma
You’re there if I ever need you
Forty years of friendship
You kiss my cheek, laughing
We always laugh
I’m not sure why

You say I’m foolish when I tell the cashier
She’s undercharged me
"What’s wrong with you?" you ask
Shake your head all the way home
You think I’ll be happy when you tell me
That you like Sarah Palin

Two peas in a pod
I flinch
I cringe
I hear how you talk about other people
More than you ever did before
People of color
Jewish, gay, autistic
Anyone "other"
You say you hate

You look at me when you say these things
Your liberal, hippie, women’s-libber friend
You laugh when I speak up

It took me so long
I’m stronger now
The phone rings
I don’t answer
You have a party
I don’t go

You’re angry
You say, "I forgave you for going back to school
But I can’t forgive you for not drinking with me"
You say you pity my husband

I try to pick up the pieces, but I can’t
I won’t
I don’t want to be in that pod

With you

After two years I see you at my son’s wedding
I approach you
We make small talk for a minute
It’s hot, yes it is
I walk away to sit with my family
You put down your empty glass and head to the bar.


About the Writer:
Alexandra Ronn
is a writer, book editor, Reiki master, and librarian. A lifelong New England resident, she loves reading, painting, and spending time amongst the trees.